Sri Aurobindo
Letters of Sri Aurobindo
This truth broke in in a triumph of fire.1
The line you object to on account of forced rhythm “in a triumph of fire” has not been so arranged through negligence. It was very deliberately done and deliberately maintained. If it were altered the whole effect of rhythmic meaning and suggestion which I intended would be lost and the alterations you suggest would make a good line perhaps but with an ordinary and inexpressive rhythm. Obviously this is not a “natural rhythm”, but there is no objection to its being forced when it is a forcible and violent action that has to be suggested. The rhythm cannot be called artificial, for that would mean something not true and genuine or significant but only patched up and insincere: the rhythm here is a turn of art and not a manufacture. The scansion is iamb, reversed spondee, pyrrhic, trochee, iamb. By reversed spondee I mean a foot with the first syllable long and highly stressed and the second stressed but short or with a less heavy ictus. In the ordinary spondee the greater ictus is on the second syllable while there are equal spondees with two heavy stresses, e.g. “vast space” or in such a line as
He has seized life in his resistless hands.
In the first part of the line the rhythm is appropriate to the violent breaking in of the truth while in the second half it expresses a high exultation and exaltation in the inrush. This is brought out by the two long and highly stressed vowels in the first syllable of “triumph” and in the word “fire” (which in the elocution of the line have to be given their full force), coming after a pyrrhic with two short syllables between them. If one slurs over the slightly weighted short syllable in “triumph” where the concluding consonants exercise a certain check and delay in the voice, one could turn this half line into a very clumsy double anapaest, the first a glide and the second a stumble; this would be bad elocution and contrary to the natural movement of the words.
1946