SITE OF SRI AUROBINDO & THE MOTHER
      
Home Page | Workings | Works of Sri Aurobindo | Letters on Poetry and Art

Sri Aurobindo

Letters on Poetry and Art

SABCL - Volume 27

Part 1. Poetry and its Creation
Section 3. Poetic Technique
Rhythm

Rhythm and Significance

You seem to suggest that significance does not matter and need not enter into the account in judging or feeling poetry! Rhythm and word music are indispensable, but are not the whole of poetry. For instance lines like these —

In the human heart of Heligoland

A hunger wakes for the silver sea;

For waving the might of his magical wand

God sits on his throne in eternity,

have plenty of rhythm and word music — a surrealist might pass it, but I certainly would not. Your suggestion that my seeing the inner truth behind a line magnifies it to me, i.e. gives a false value to me which it does not really have as poetry, may or may not be correct. But, certainly, the significance and feeling suggested and borne home by the words and rhythm are in my view a capital part of the value of poetry. Shakespeare’s lines

Absent thee from felicity awhile

And in this harsh world draw thy breath in pain,

have a skilful and consummate rhythm and word combination, but this gets its full value as the perfect embodiment of a profound and moving significance, the expression in a few words of a whole range of human {{0}}world-experience.[[This is an abbreviated and lightly revised version of a letter published in full on pages 496 – 97 — Ed.]]

1 September 1938