Sri Aurobindo

Letters on Poetry and Art

SABCL - Volume 27

Part 2. On His Own and Others’ Poetry
Section 1. On His Poetry and Poetic Method
On Savitri

Comments on Specific Lines and Passages of the Poem [57]

Your new objection to the line,

All he had been and all that still he was, [cf. p. 307]

is somewhat self-contradictory. If a line has a rhythm and expressive turn which makes it poetic, then it must be good poetry; but I suppose what you mean is fine or elevated poetry. I would say that the line even in its original form is good poetry and is further uplifted by rising towards its subsequent context which gives it its full poetic meaning and suggestion, the evolution of the inner being and the abrupt end or failure of all that had been done unless it could suddenly transcend itself and become something greater. I do not think that this line in its context is merely passable, but I admit that it is less elevated and intense than what precedes or what follows. I do not see how that can be avoided without truncating the thought significance of the whole account by the omission of something necessary to its evolution or else overpitching the expression where it needs to be direct or clear and bare in its lucidity. In any case the emended version [“All he had been and all towards which he grew”] cures any possibility of the line being merely passable as it raises both the idea and the expression through the vividness of image which makes us feel and not merely think the living evolution in Aswapati’s inner being.

1946