Nirodbaran

Correspondence with Sri Aurobindo

The Complete Set

S has again the pains and the [...]¹ etc. Has she taken her course of Fandorine? (I may add in strict privacy that this has happened after a quarrel in the D.R., a revolt of feelings against the Mother and a day and a half hunger-strike; but as this is Yogic or rather un Yogic and not medical, you should pretend not to know anything about it.)

I leave your “special relation”, but I have to discuss a little about your Force. I feel that your Force gives us the necessary inspiration for poetry, but I often doubt that you send it in a continuous current.

Of course not. Why should I? It is not necessary. I put my Force from time to time and let it work out what has to be worked out. It is true that with some I have to put it often to prevent too long stretches of unproductivity, but even there I don't put a continuous current. I haven't time for such things.

If the current were continuous, we would not write just 15 to 20 lines at a stretch and then go on for days together producing only 3 or 4 lines.

That depends on the mental instruments. Some people write freely – others do so only when in a special condition.

Had your special Force been constantly acting, why should we have this difficulty? We should be able to feel the inspiration as soon as we sit down with pen and paper, shouldn't we?

No. At least I myself don't have continuous inspiration at command like that in poetry.

I don't think a latent, faculty brought out by Yogic Force would achieve such a height of perfection as a faculty which manifests in the natural way.

Of course, not so long as it is latent or not fully emerged. But once it is manifested and settled, there is no reason why it should not achieve equal perfection. All depends on the quality of the inspiration that comes and the response of the instrument.

12.06.1935

¹ Three words undecipherable.

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