Sri Aurobindo
Letters on Poetry and Art
SABCL - Volume 27
Part 2. On His Own and Others’ Poetry
Section 2. On Poets and Poetry
Indian Poetry in English
On Some Indian Writers of English [1]
I should very much value your assurance that, scant though my stock is, I need not feel inferior to the other Indian poets who have written in English — Manmohan Ghose and Harindranath and Sarojini.
I don’t altogether appreciate your request for being
declared by me “not inferior” to other “Indo-English” poets. What have you to do
with what others have achieved? If you write poetry, it should be from the
stand-point that you have something of your own which has not yet found full
expression, a power within which you can place at the service of the Divine and
which can help you to grow — you have to get rid of all in it that is merely
mental or merely vital, to develop what is true and fine in it and leave the
rest until you can write from a higher level of
consciousness things that come from the deepest self and the highest spiritual
levels. Your question is that of a littérateur and not in the right
spirit. Besides, even from a mental point of view, such comparisons are quite
idle. Sarojini Naidu has at best a strange power of brilliant colour and
exquisite melody which you are not likely ever to have; on the other hand she is
narrowly limited by her gift. Harindranath has an unfailing sense of beauty and
rhythm (or had before he became a Bolshevik and Gandhist) — while your writing
is very unequal — but I do not suppose he will ever do much better than he has
done or produce anything that will put him in the first rank of poets, unless he
changes greatly in the future. As for my brother, I do not know enough of his
poetry to judge; I knew he had a better knowledge of technique than any of these
poets, but my impression was that life and enduring quality were not there. How
am I to compare you in these things with them? You have another turn and gift
and you have in the resources of Yoga a chance of constant progression and
growth and of throwing all imperfections behind you. Measure what you do by the
standard of your own possible perfection; what is the use of measuring it by the
achievement of others?
1931