Rig Veda
Text & Audio
MAṆḌALA 1
Sūkta 20
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1. Info |
To: | ṛbhus | |
From: | medhātithi kāṇva | |
Metres: | gāyatrī |
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2. Audio |
▪ by South Indian brahmins |
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▪ by Sri Shyama Sundara Sharma and Sri Satya Krishna Bhatta. Recorded by © 2012 Sriranga Digital Software Technologies Pvt. Ltd. |
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3. Text |
01.020.01 (Mandala. Sukta. Rik)
1.2.01.01 (Ashtaka. Adhyaya. Varga. Rik)
01.05.019 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
अ॒यं दे॒वाय॒ जन्म॑ने॒ स्तोमो॒ विप्रे॑भिरास॒या ।
अका॑रि रत्न॒धात॑मः ॥
Samhita Devanagari Nonaccented
अयं देवाय जन्मने स्तोमो विप्रेभिरासया ।
अकारि रत्नधातमः ॥
Samhita transliteration accented
ayám devā́ya jánmane stómo víprebhirāsayā́ ǀ
ákāri ratnadhā́tamaḥ ǁ
Samhita transliteration nonaccented
ayam devāya janmane stomo viprebhirāsayā ǀ
akāri ratnadhātamaḥ ǁ
Padapatha Devanagari Accented
अ॒यम् । दे॒वाय॑ । जन्म॑ने । स्तोमः॑ । विप्रे॑भिः । आ॒स॒या ।
अका॑रि । र॒त्न॒ऽधात॑मः ॥
Padapatha Devanagari Nonaccented
अयम् । देवाय । जन्मने । स्तोमः । विप्रेभिः । आसया ।
अकारि । रत्नऽधातमः ॥
Padapatha transliteration accented
ayám ǀ devā́ya ǀ jánmane ǀ stómaḥ ǀ víprebhiḥ ǀ āsayā́ ǀ
ákāri ǀ ratna-dhā́tamaḥ ǁ
Padapatha transliteration nonaccented
ayam ǀ devāya ǀ janmane ǀ stomaḥ ǀ viprebhiḥ ǀ āsayā ǀ
akāri ǀ ratna-dhātamaḥ ǁ
interlinear translation
This hymn in highest degree giving the ecstasies-riches was made for the divine birth by the illumined seers by the mouth.
Translation — Padapatha — Grammar
This ← [1] ayam (pronoun M-N single) ← idam
hymn ← [4] stomaḥ (noun M-N single) ← stoma
in highest degree giving the ecstasies-riches ← [8] ratna-dhātamaḥ (noun M-N single) ← ratnadhātama
was made ← [7] akāri (verb Aorist Middle single 3rd) ← kṛ
for the divine ← [2] devāya (noun M-D single) ← deva
birth ← [3] janmane (noun N-D single) ← janman
by the illumined seers ← [5] viprebhiḥ (noun I plural) ← vipra
by the mouth ← [6] āsayā (noun N-I single) ← ās
01.020.02 (Mandala. Sukta. Rik)
1.2.01.02 (Ashtaka. Adhyaya. Varga. Rik)
01.05.020 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
य इंद्रा॑य वचो॒युजा॑ तत॒क्षुर्मन॑सा॒ हरी॑ ।
शमी॑भिर्य॒ज्ञमा॑शत ॥
Samhita Devanagari Nonaccented
य इंद्राय वचोयुजा ततक्षुर्मनसा हरी ।
शमीभिर्यज्ञमाशत ॥
Samhita transliteration accented
yá índrāya vacoyújā tatakṣúrmánasā hárī ǀ
śámībhiryajñámāśata ǁ
Samhita transliteration nonaccented
ya indrāya vacoyujā tatakṣurmanasā harī ǀ
śamībhiryajñamāśata ǁ
Padapatha Devanagari Accented
ये । इन्द्रा॑य । व॒चः॒ऽयुजा॑ । त॒त॒क्षुः । मन॑सा । हरी॒ इति॑ ।
शमी॑भिः । य॒ज्ञम् । आ॒श॒त॒ ॥
Padapatha Devanagari Nonaccented
ये । इन्द्राय । वचःऽयुजा । ततक्षुः । मनसा । हरी इति ।
शमीभिः । यज्ञम् । आशत ॥
Padapatha transliteration accented
yé ǀ índrāya ǀ vacaḥ-yújā ǀ tatakṣúḥ ǀ mánasā ǀ hárī íti ǀ
śámībhiḥ ǀ yajñám ǀ āśata ǁ
Padapatha transliteration nonaccented
ye ǀ indrāya ǀ vacaḥ-yujā ǀ tatakṣuḥ ǀ manasā ǀ harī iti ǀ
śamībhiḥ ǀ yajñam ǀ āśata ǁ
interlinear translation
Who by mind fashioned for Indra {his two} bright horses yoked by speech, {it is they} achieved a sacrifice by the works .
Translation — Padapatha — Grammar
Who ← [1] ye (pronoun M-N plural) ← yad
by mind ← [5] manasā (noun N-I single) ← manas
fashioned ← [4] tatakṣuḥ (verb Perfect Active plural 3rd) ← takṣ
for Indra ← [2] indrāya (noun M-D single) ← indra
{his two} bright horses ← [6] harī iti (noun M-Ac double) ← hari
yoked by speech ← [3] vacaḥ-yujā (noun M-Ac double) ← vacoyuj
{it is they} achieved ← [9] āśata (verb Aorist Middle plural 3rd) ← aś
a sacrifice ← [8] yajñam (noun M-Ac single) ← yajña
by the works ← [7] śamībhiḥ (noun F-I plural) ← śamī
01.020.03 (Mandala. Sukta. Rik)
1.2.01.03 (Ashtaka. Adhyaya. Varga. Rik)
01.05.021 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
तक्ष॒न्नास॑त्याभ्यां॒ परि॑ज्मानं सु॒खं रथं॑ ।
तक्ष॑न्धे॒नुं स॑ब॒र्दुघां॑ ॥
Samhita Devanagari Nonaccented
तक्षन्नासत्याभ्यां परिज्मानं सुखं रथं ।
तक्षन्धेनुं सबर्दुघां ॥
Samhita transliteration accented
tákṣannā́satyābhyām párijmānam sukhám rátham ǀ
tákṣandhenúm sabardúghām ǁ
Samhita transliteration nonaccented
takṣannāsatyābhyām parijmānam sukham ratham ǀ
takṣandhenum sabardughām ǁ
Padapatha Devanagari Accented
तक्ष॑न् । नास॑त्याभ्याम् । परि॑ऽज्मानम् । सु॒ऽखम् । रथ॑म् ।
तक्ष॑न् । धे॒नुम् । स॒बः॒ऽदुघा॑म् ॥
Padapatha Devanagari Nonaccented
तक्षन् । नासत्याभ्याम् । परिऽज्मानम् । सुऽखम् । रथम् ।
तक्षन् । धेनुम् । सबःऽदुघाम् ॥
Padapatha transliteration accented
tákṣan ǀ nā́satyābhyām ǀ pári-jmānam ǀ su-khám ǀ rátham ǀ
tákṣan ǀ dhenúm ǀ sabaḥ-dúghām ǁ
Padapatha transliteration nonaccented
takṣan ǀ nāsatyābhyām ǀ pari-jmānam ǀ su-kham ǀ ratham ǀ
takṣan ǀ dhenum ǀ sabaḥ-dughām ǁ
interlinear translation
{They} fashioned for the Nasatyas everywhere going well carved chariot , fashioned the Milch-Cow (supramental perception) giving its rich yield of milk .
Translation — Padapatha — Grammar
{They} fashioned ← [1] takṣan = atakṣan (verb Imperfect Active plural 3rd) ← takṣ
for the Nasatyas ← [2] nāsatyābhyām (noun M-D double) ← nāsatya
everywhere going ← [3] pari-jmānam (noun M-Ac single) ← parijman
well carved ← [4] su-kham (noun M-Ac single) ← sukha
chariot ← [5] ratham (noun M-Ac single) ← ratha
fashioned ← [6] takṣan = atakṣan (verb Imperfect Active plural 3rd) ← takṣ
the Milch-Cow (supramental perception) ← [7] dhenum (noun M-Ac single) ← dhenu
giving its rich yield of milk ← [8] sabaḥ-dughām (noun F-Ac single) ← sabardugha
01.020.04 (Mandala. Sukta. Rik)
1.2.01.04 (Ashtaka. Adhyaya. Varga. Rik)
01.05.022 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
युवा॑ना पि॒तरा॒ पुनः॑ स॒त्यमं॑त्रा ऋजू॒यवः॑ ।
ऋ॒भवो॑ वि॒ष्ट्य॑क्रत ॥
Samhita Devanagari Nonaccented
युवाना पितरा पुनः सत्यमंत्रा ऋजूयवः ।
ऋभवो विष्ट्यक्रत ॥
Samhita transliteration accented
yúvānā pitárā púnaḥ satyámantrā ṛjūyávaḥ ǀ
ṛbhávo viṣṭyákrata ǁ
Samhita transliteration nonaccented
yuvānā pitarā punaḥ satyamantrā ṛjūyavaḥ ǀ
ṛbhavo viṣṭyakrata ǁ
Padapatha Devanagari Accented
युवा॑ना । पि॒तरा॑ । पुन॒रिति॑ । स॒त्यऽम॑न्त्राः । ऋ॒जु॒ऽयवः॑ ।
ऋ॒भवः॑ । वि॒ष्टी । अ॒क्र॒त॒ ॥
Padapatha Devanagari Nonaccented
युवाना । पितरा । पुनरिति । सत्यऽमन्त्राः । ऋजुऽयवः ।
ऋभवः । विष्टी । अक्रत ॥
Padapatha transliteration accented
yúvānā ǀ pitárā ǀ púnaríti ǀ satyá-mantrāḥ ǀ ṛju-yávaḥ ǀ
ṛbhávaḥ ǀ viṣṭī́ ǀ akrata ǁ
Padapatha transliteration nonaccented
yuvānā ǀ pitarā ǀ punariti ǀ satya-mantrāḥ ǀ ṛju-yavaḥ ǀ
ṛbhavaḥ ǀ viṣṭī ǀ akrata ǁ
interlinear translation
Ribhus having true thoughts, going straight made {their two} existing on different sides Parents young again.
Translation — Padapatha — Grammar
Ribhus ← [6] ṛbhavaḥ (noun M-N plural) ← ṛbhu
having true thoughts ← [4] satya-mantrāḥ (noun M-N plural) ← satyamantra
going straight ← [5] ṛju-yavaḥ (noun M-N plural) ← ṛjūyu
made ← [8] akrata (verb Imperfect Middle plural 3rd) ← kṛ
{their two} existing on different sides ← [7] viṣṭī (noun F-Ac double) ← viṣṭi
Parents ← [2] pitarā (noun M-Ac double) ← pitṛ
young ← [1] yuvānā (noun M-Ac double) ← yuvan
again ← [3] punariti (indeclinable word; adverb) ← punar
01.020.05 (Mandala. Sukta. Rik)
1.2.01.05 (Ashtaka. Adhyaya. Varga. Rik)
01.05.023 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
सं वो॒ मदा॑सो अग्म॒तेंद्रे॑ण च म॒रुत्व॑ता ।
आ॒दि॒त्येभि॑श्च॒ राज॑भिः ॥
Samhita Devanagari Nonaccented
सं वो मदासो अग्मतेंद्रेण च मरुत्वता ।
आदित्येभिश्च राजभिः ॥
Samhita transliteration accented
sám vo mádāso agmaténdreṇa ca marútvatā ǀ
ādityébhiśca rā́jabhiḥ ǁ
Samhita transliteration nonaccented
sam vo madāso agmatendreṇa ca marutvatā ǀ
ādityebhiśca rājabhiḥ ǁ
Padapatha Devanagari Accented
सम् । वः॒ । मदा॑सः । अ॒ग्म॒त॒ । इन्द्रे॑ण । च॒ । म॒रुत्व॑ता ।
आ॒दि॒त्येभिः॑ । च॒ । राज॑ऽभिः ॥
Padapatha Devanagari Nonaccented
सम् । वः । मदासः । अग्मत । इन्द्रेण । च । मरुत्वता ।
आदित्येभिः । च । राजऽभिः ॥
Padapatha transliteration accented
sám ǀ vaḥ ǀ mádāsaḥ ǀ agmata ǀ índreṇa ǀ ca ǀ marútvatā ǀ
ādityébhiḥ ǀ ca ǀ rā́ja-bhiḥ ǁ
Padapatha transliteration nonaccented
sam ǀ vaḥ ǀ madāsaḥ ǀ agmata ǀ indreṇa ǀ ca ǀ marutvatā ǀ
ādityebhiḥ ǀ ca ǀ rāja-bhiḥ ǁ
interlinear translation
Intoxications of rapture have came to you together with Indra attended by the Maruts and with the kings Adityas .
Translation — Padapatha — Grammar
Intoxications of rapture ← [3] madāsaḥ = madāḥ (noun M-N plural) ← mada
have came ← [4] agmata (verb Aorist plural 3rd) ← gam
to you ← [2] vaḥ (pronoun Ac plural) ← tva
together with ← [1] sam (indeclinable word; adverb)
Indra ← [5] indreṇa (noun M-I single) ← indra
attended by the Maruts ← [7] marutvatā (noun M-I single) ← marutvat
and ← [6] ca (indeclinable word; copulative)
with the kings ← [10] rāja-bhiḥ (noun M-I plural) ← rājan
Adityas ← [8] ādityebhiḥ (noun I plural) ← āditya
01.020.06 (Mandala. Sukta. Rik)
1.2.02.01 (Ashtaka. Adhyaya. Varga. Rik)
01.05.024 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
उ॒त त्यं च॑म॒सं नवं॒ त्वष्टु॑र्दे॒वस्य॒ निष्कृ॑तं ।
अक॑र्त च॒तुरः॒ पुनः॑ ॥
Samhita Devanagari Nonaccented
उत त्यं चमसं नवं त्वष्टुर्देवस्य निष्कृतं ।
अकर्त चतुरः पुनः ॥
Samhita transliteration accented
utá tyám camasám návam tváṣṭurdevásya níṣkṛtam ǀ
ákarta catúraḥ púnaḥ ǁ
Samhita transliteration nonaccented
uta tyam camasam navam tvaṣṭurdevasya niṣkṛtam ǀ
akarta caturaḥ punaḥ ǁ
Padapatha Devanagari Accented
उ॒त । त्यम् । च॒म॒सम् । नव॑म् । त्वष्टुः॑ । दे॒वस्य॑ । निःऽकृ॑तम् ।
अक॑र्त । च॒तुरः॑ । पुन॒रिति॑ ॥
Padapatha Devanagari Nonaccented
उत । त्यम् । चमसम् । नवम् । त्वष्टुः । देवस्य । निःऽकृतम् ।
अकर्त । चतुरः । पुनरिति ॥
Padapatha transliteration accented
utá ǀ tyám ǀ camasám ǀ návam ǀ tváṣṭuḥ ǀ devásya ǀ níḥ-kṛtam ǀ
ákarta ǀ catúraḥ ǀ púnaríti ǁ
Padapatha transliteration nonaccented
uta ǀ tyam ǀ camasam ǀ navam ǀ tvaṣṭuḥ ǀ devasya ǀ niḥ-kṛtam ǀ
akarta ǀ caturaḥ ǀ punariti ǁ
interlinear translation
and {they} made that new perfectly made cup of divine Twashtri four times again.
Translation — Padapatha — Grammar
and ← [1] uta (indeclinable word; copulative)
{they} made ← [8] akarta (verb Imperfect plural 3rd) ← kṛ
that ← [2] tyam (noun M-Ac single) ← tyad
new ← [4] navam (noun M-Ac single) ← nava
perfectly made ← [7] niḥ-kṛtam (noun M-Ac single) ← niṣkṛta
cup ← [3] camasam (noun M-Ac single) ← camasa
of divine ← [6] devasya (noun M-G single) ← deva
Twashtri ← [5] tvaṣṭuḥ (noun M-G single) ← tvaṣṭṛ
four times ← [9] caturaḥ (noun M-Ac plural) ← catur
again ← [10] punariti (indeclinable word; adverb) ← punar
01.020.07 (Mandala. Sukta. Rik)
1.2.02.02 (Ashtaka. Adhyaya. Varga. Rik)
01.05.025 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
ते नो॒ रत्ना॑नि धत्तन॒ त्रिरा साप्ता॑नि सुन्व॒ते ।
एक॑मेकं सुश॒स्तिभिः॑ ॥
Samhita Devanagari Nonaccented
ते नो रत्नानि धत्तन त्रिरा साप्तानि सुन्वते ।
एकमेकं सुशस्तिभिः ॥
Samhita transliteration accented
té no rátnāni dhattana trírā́ sā́ptāni sunvaté ǀ
ékamekam suśastíbhiḥ ǁ
Samhita transliteration nonaccented
te no ratnāni dhattana trirā sāptāni sunvate ǀ
ekamekam suśastibhiḥ ǁ
Padapatha Devanagari Accented
ते । नः॒ । रत्ना॑नि । ध॒त्त॒न॒ । त्रिः । आ । साप्ता॑नि । सु॒न्व॒ते ।
एक॑म्ऽएकम् । सु॒श॒स्तिऽभिः॑ ॥
Padapatha Devanagari Nonaccented
ते । नः । रत्नानि । धत्तन । त्रिः । आ । साप्तानि । सुन्वते ।
एकम्ऽएकम् । सुशस्तिऽभिः ॥
Padapatha transliteration accented
té ǀ naḥ ǀ rátnāni ǀ dhattana ǀ tríḥ ǀ ā́ ǀ sā́ptāni ǀ sunvaté ǀ
ékam-ekam ǀ suśastí-bhiḥ ǁ
Padapatha transliteration nonaccented
te ǀ naḥ ǀ ratnāni ǀ dhattana ǀ triḥ ǀ ā ǀ sāptāni ǀ sunvate ǀ
ekam-ekam ǀ suśasti-bhiḥ ǁ
interlinear translation
For us, for the presser , do establish three times by seven those riches-ecstasies , each separately, by the perfect utterances.
Translation — Padapatha — Grammar
For us ← [2] naḥ (pronoun D plural 1st) ← vayam
for the presser ← [8] sunvate (noun M-D single) ← sunvat
do establish ← [4] dhattana (verb Present Imperative Active plural 2nd) ← dhā
three times ← [5] triḥ (noun M-N single) ← tri
by ← [6] ā (preposition)
seven ← [7] sāptāni (noun N-Ac plural) ← sāpta
those ← [1] te (pronoun M-N plural 3rd) ← sa
riches-ecstasies ← [3] ratnāni (noun N-Ac plural) ← ratna
each separately ← [9] ekam-ekam (noun M-Ac single) ← eka
by the perfect utterances ← [10] suśasti-bhiḥ (noun F-I plural) ← suśasti
01.020.08 (Mandala. Sukta. Rik)
1.2.02.03 (Ashtaka. Adhyaya. Varga. Rik)
01.05.026 (Mandala. Anuvaka. Rik)
Samhita Devanagari Accented
अधा॑रयंत॒ वह्न॒योऽभ॑जंत सुकृ॒त्यया॑ ।
भा॒गं दे॒वेषु॑ य॒ज्ञियं॑ ॥
Samhita Devanagari Nonaccented
अधारयंत वह्नयोऽभजंत सुकृत्यया ।
भागं देवेषु यज्ञियं ॥
Samhita transliteration accented
ádhārayanta váhnayó’bhajanta sukṛtyáyā ǀ
bhāgám devéṣu yajñíyam ǁ
Samhita transliteration nonaccented
adhārayanta vahnayo’bhajanta sukṛtyayā ǀ
bhāgam deveṣu yajñiyam ǁ
Padapatha Devanagari Accented
अधा॑रयन्त । वह्न॑यः । अभ॑जन्त । सु॒ऽकृ॒त्यया॑ ।
भा॒गम् । दे॒वेषु॑ । य॒ज्ञिय॑म् ॥
Padapatha Devanagari Nonaccented
अधारयन्त । वह्नयः । अभजन्त । सुऽकृत्यया ।
भागम् । देवेषु । यज्ञियम् ॥
Padapatha transliteration accented
ádhārayanta ǀ váhnayaḥ ǀ ábhajanta ǀ su-kṛtyáyā ǀ
bhāgám ǀ devéṣu ǀ yajñíyam ǁ
Padapatha transliteration nonaccented
adhārayanta ǀ vahnayaḥ ǀ abhajanta ǀ su-kṛtyayā ǀ
bhāgam ǀ deveṣu ǀ yajñiyam ǁ
interlinear translation
The bearers of the offerings held and distributed by {their} good work the sacrificial share in the gods.
Translation — Padapatha — Grammar
The bearers of the offerings ← [2] vahnayaḥ (noun M-N plural) ← vahni
held ← [1] adhārayanta = adharanta (verb Imperfect Middle plural 3rd) ← dhṛ
and distributed ← [3] abhajanta (verb Imperfect Middle plural 3rd) ← bhaj
by {their} good work ← [4] su-kṛtyayā (noun F-I single) ← sukṛtyā
the sacrificial ← [7] yajñiyam (noun M-Ac single) ← yajñiya
share ← [5] bhāgam (noun M-Ac single) ← bhāga
in the gods ← [6] deveṣu (noun M-L plural) ← deva
Translations and commentaries by Sri Aurobindo |
1. May 19151
The Ribhus, Artisans of Immortality
1.20.1 Lo, the affirmation made for the divine Birth with the breath of the mouth by illumined minds, that gives perfectly the bliss;
1.20.2 Even they who fashioned by the mind for Indra his two bright steeds that are yoked by Speech, and they enjoy the sacrifice by their accomplishings of the work.
1.20.3 They fashioned for the twin lords of the voyage their happy car of the all-pervading movement, they fashioned the fostering cow that yields the sweet milk.
1.20.4 O Ribhus, in your pervasion you made young again the Parents, you who seek the straight path and have the Truth in your mentalisings.
1.20.5 The raptures of the wine come to you entirely, to you with Indra companioned by the Maruts and with the Kings, the sons of Aditi.
1.20.6 And this bowl of Twashtri new and perfected you made again into four.
1.20.7 So establish for us the thrice seven ecstasies, each separately by perfect expressings of them.
1.20.8 They sustained and held in them, they divided by perfection in their works the sacrificial share of the enjoyment among the Gods.
Commentary
The Ribhus, it has been suggested, are rays of the Sun. And it is true that like Varuna, Mitra, Bhaga and Aryaman they are powers of the solar Light, the Truth. But their special character in the Veda is that they are artisans of Immortality. They are represented as human beings who have attained to the condition of godhead by power of knowledge and perfection in their works. Their function is to aid Indra in raising man towards the same state of divine light and bliss which they themselves have earned as their own divine privilege. The hymns addressed to them in the Veda are few and to the first glance exceedingly enigmatical; for they are full of certain figures and symbols always repeated. But once the principal clues of the Veda are known, they become on the contrary exceedingly clear and simple and present a coherent and interesting idea which sheds a clear light on the Vedic gospel of immortality.
The Ribhus are powers of the Light who have descended into Matter and are there born as human faculties aspiring to become divine and immortal. In this character they are called children of Sudhanwan2, a patronymic which is merely a parable of their birth from the full capacities of Matter touched by the luminous energy. But in their real nature they are descended from this luminous Energy and are sometimes so addressed, “Offspring of Indra, grandsons of luminous Force.” For Indra, the divine mind in man, is born out of luminous Force as is Agni out of pure Force, and from Indra the divine Mind spring the human aspirations after Immortality.
The names of the three Ribhus are, in the order of their birth, Ribhu or Ribhukshan, the skilful Knower or the Shaper in knowledge, Vibhwa or Vibhu, the Pervading, the self-diffusing, and Vaja, the Plenitude. Their names indicate their special nature and function, but they are really a trinity, and therefore, although usually termed the Ribhus, they are also called the Vibhus and the Vajas. Ribhu, the eldest is the first in man who begins to shape by his thoughts and works the forms of immortality; Vibhwa gives pervasiveness to this working; Vaja, the youngest, supplies the plenitude of the divine light and substance by which the complete work can be done. These works and formations of immortality they effect, it is continually repeated, by the force of Thought, with the mind for field and material; they are done with power; they are attended by a perfection in the creative and effective act, svapasyayā sukṛtyayā, which is the condition of the working out of Immortality. These formations of the artisans of Immortality are, as they are briefly summarised in the hymn before us, the horses of Indra, the car of the Ashwins, the Cow that gives the sweet milk, the youth of the universal Parents, the multiplication into four of the one drinking-bowl of the gods originally fashioned by Twashtri, the Framer of things.
The hymn opens with an indication of its objective. It is an affirmation of the power of the Ribhus made for the divine Birth, made by men whose minds have attained to illumination and possess that energy of the Light from which the Ribhus were born. It is made by the breath of the mouth, the life-power in the world. Its object is to confirm in the human soul the entire delight of the Beatitude, the thrice seven ecstasies of the divine Life.
This divine Birth is represented by the Ribhus who, once human, have become immortal. By their accomplishings of the work,– the great work of upward human evolution which is the summit of the world-sacrifice,– they have gained in that sacrifice their divine share and privilege along with the divine powers. They are the sublimated human energies of formation and upward progress who assist the gods in the divinising of man. And of all their accomplishings that which is central is the formation of the two brilliant horses of Indra, the horses yoked by speech to their movements, yoked by the Word and fashioned by the mind. For the free movement of the luminous mind, the divine mind in man, is the condition of all other immortalising works.
The second work of the Ribhus is to fashion the chariot of the Ashwins, lords of the human journey,– the happy movement of the Ananda in man which pervades with its action all his worlds or planes of being, bringing health, youth, strength, wholeness to the physical man, capacity of enjoyment and action to the vital, glad energy of the light to the mental being,– in a word, the force of the pure delight of being in all his members.
The third work of the Ribhus is to fashion the cow who gives the sweet milk. It is said elsewhere that this cow has been delivered out of its covering skin,– the veil of Nature’s outward movement and action,– by the Ribhus. The fostering cow herself is she of the universal forms and universal impetus of movement, viśvajuvaṃ viśvarūpām, in other words she is the first Radiance, Aditi, the infinite Consciousness of the infinite conscious Being which is the mother of the worlds. That consciousness is brought out by the Ribhus from the veiling movement of Nature and a figure of her is fashioned here in us by them. She is, by the action of the powers of the duality, separated from her offspring, the soul in the lower world; the Ribhus restore it to constant companionship with its infinite mother.
Another great work of the Ribhus is in the strength of their previous deeds, of the light of Indra, the movement of the Ashwins, the full yield of the fostering Cow to restore youth to the aged Parents of the world, Heaven and Earth. Heaven is the mental consciousness, Earth the physical. These in their union are represented as lying long old and prostrate like fallen sacrificial posts, worn-out and suffering. The Ribhus, it is said, ascend to the house of the Sun where he lives in the unconcealed splendour of his Truth and there slumbering for twelve days afterwards traverse the heaven and the earth, filling them with abundant rain of the streams of Truth, nourishing them, restoring them to youth and vigour. They pervade heaven with their workings, they bring divine increase to the mentality; they give to it and the physical being a fresh and young and immortal movement3. For from the home of the Truth they bring with them the perfection of that which is the condition of their work, the movement in the straight path of the Truth and the Truth itself with its absolute effectivity in all the thoughts and words of the mentality. Carrying this power with them in their pervading entry into the lower world, they pour into it the immortal essence.
It is the wine of that immortal essence with its ecstasies which they win by their works and bring with them to man in his sacrifice. And with them come and sit Indra and the Maruts, the divine Mind and its Thought-forces, and the four great Kings, sons of Aditi, children of the Infinite, Varuna, Mitra, Aryaman, Bhaga, the purity and vastness of the Truth-consciousness, its law of love and light and harmony, its power and aspiration, its pure and happy enjoyment of things.
And there at the sacrifice the gods drink in the fourfold bowl, camasaṃ caturvayam, the pourings of the nectar. For Twashtri, the Framer of things, has given man originally only a single bowl, the physical consciousness, the physical body in which to offer the delight of existence to the gods. The Ribhus, powers of luminous knowledge, take it as renewed and perfected by Twashtri’s later workings and build up in him from the material of the four planes three other bodies, vital, mental and the causal or ideal body.
Because they have made this fourfold cup of bliss and enabled him thereby to live on the plane of the Truth-consciousness they are able to establish in the perfected human being the thrice seven ecstasies of the supreme existence poured into the mind, vitality and body. Each of these they can give perfectly by the full expression of its separate absolute ecstasy even in the combination of the whole.
The Ribhus have power to support and contain all these floods of the delight of being in the human consciousness; and they are able to divide it in the perfection of their works among the manifested gods, to each god his sacrificial share. For such perfect division is the whole condition of the effective sacrifice, the perfect work.
Such are the Ribhus and they are called to the human sacrifice to fashion for man the things of immortality even as they fashioned them for themselves. “He becomes full of plenitude and strength for the labour, he becomes a Rishi by power of self-expression, he becomes a hero and a smiter hard to pierce in the battles, he holds in himself increase of bliss and entire energy whom Vaja and Vibhwa, the Ribhus foster.... For you are seers and thinkers clear-discerning; as such with this thought of our soul we declare to you our knowledge. Do you in your knowledge moving about our thoughts fashion for us all human enjoyings,– luminous plenitude and fertilising force and supreme felicity. Here issue, here felicity, here a great energy of inspiration fashion for us in your delight. Give to us, O Ribhus, that richly-varied plenitude by which we shall awaken in our consciousness to things beyond ordinary men.”
1 Selected Hymns. XI. The Ribhus, Artisans of Immortality // CWSA.– Vol. 15.– The Secret of the Veda.– Pondicherry: Sri Aurobindo Ashram, 1998, pp. 336-342. 1-st published: Arya: A Philosophical Review. Monthly.– Vol.1, No 10 – May 1915, pp. 602-607.
2 “Dhanwan” in this name does not mean “bow” but the solid or desert field of Matter otherwise typified as the hill or rock out of which the waters and the rays are delivered.
3 4.36.3
05.11.2020
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